St
Thomas Street SE1 9RY
Wednesday
April 3rd 2014
Mary
was back from catching up with family on her Asian adventure, so the three of
us gathered at the foot of the Shard, otherwise known as London Bridge Station.
This was to be our foray into the South for this week’s museums.
Some
people can be quite ‘sniffy’ about South London but one of its major plus
points are the trio of excellent hospitals. Guy’s and St Thomas’s are very
close to each other and rationalisation has meant that some services are now combined
on one or other site but nevertheless they maintain their own identity. St Thomas’s, named for that favourite English
Martyr St Thomas a Becket and originally part of St Mary Overie Priory, was
essentially a very early religious foundation hospital and used to be here in
Southwark before it moved to just beside Westminster Bridge. Guy’s, which is here now, was founded much
later by Sir Thomas Guy after St Thomas’s had re-established themselves in
Lambeth. Number three in the South London hospital world is of course King’s
College, whose main teaching area is on the Strand but whose hospital is in SE5
Camberwell.
The Old
Operating Theatre belonged to St Thomas’s
but is actually just opposite the pretty and historic courtyards of
Guy’s just to confuse matters further. The museum, which has an excellent website, is in the old rather striking tower of St Thomas’
Church. According to Wikipedia the main body of the Church is still subject to
a dispute between the Jubilee Line and church landowners. A beautiful wrought iron skull hangs over the
porch entrance but the museum is up a 32 step spiral staircase so beware if you
have mobility problems.
Just a
word about hospitality (you can see where I am going with this): the museum
because of its historic site has no toilets, and the shop is cramped but
delightful – instead of the usual smooth marketing pioneered by the National
Trust (soaps/china mugs etc) this is a cluttered collection containing some
serious books on the history of medicine alongside GIANT microbes and you thought I was
joking.
The
merchandise is arranged according to where they can fit them under the eaves as
opposed to any marketing strategy. We were about to show our National Trust
cards to gain reduced entry when the kindly cashier/guide offered us an even
greater reduction on the grounds that they had double booked two school parties
and the museum would be over-run. In the event we got into the operating
theatre after School 1 and were enjoying the Garret by the time School 2
arrived – so we were able to enjoy a leisurely and unimpeded viewing.
Talking
of unimpeded viewings, the operating theatre is well raked with 5 semi-circular
rows for the observing medical and apothecary students. Admittedly I was
wearing a back pack but found fitting along a row quite a squeeze.
‘They were packed like herrings in a barrel but a lot less silent’ one
account says. How apt. The herrings would have seen only women patients as at
the time the theatre was adjacent to a women’s ward – for several centuries
only the poor were treated in hospital and in Southwark that probably meant the
prostitutes from the very many adjacent brothels or ‘stews’ hereabouts. Neither was there any
anaesthesia till late 19th century .
The
display cases show a range of surgical instruments reminding us why surgeons
were called ‘Sawbones’ and surgical students named ‘dressers’ (for a lively
description of similar operations see here ).
Alongside these are examples of early anaesthetic devices and the famous bars
of carbolic soap which finally offered some degree of antiseptic protection. Individual surgeons are remembered also – Astley Cooper,
a St
Thomas’s student, who surprisingly early
operated successfully on an aneurysm. The theatre – and it must have been a
real performance except for the unfortunate starring patient – is one of the
earliest surviving. Note the bowl of sawdust beneath the table to catch the
blood.
You
leave the theatre alongside a range of cases displaying the different specialisms
of both doctors and surgeons. Florence Nightingale opined that nursing children
requires a special temperament but the children of Southwark were given their own hospital – the Evelina – thanks to
Baron Rothschild. It has in its time been both at Guy’s and St Thomas’s but
since 2004 has its own magnificent child-friendly building at the latter. Close to, the obstetric instruments look
surprisingly big and probably remain largely unchanged so it was something of a
relief to move onto dressings/pills and potions. It is likely the herbs were
kept here to minimise the risk of mice and have space to dry away from the damp
‘miasmas’ of Thames side Southwark.
The LWB
have relatives who are both doctors and pharmacists so could view some of the
exhibits with a degree of ‘insider knowledge’ – having said that I think the
museum would appeal to all and any visitor could relate to a feeling of
gratitude that we are able to experience 21st century medicine in
all its glory which would not be so advanced without its origins that you see
here. For example, I had never heard the story of the man who sucked on his
willow twigs and felt so good on the results that he shared the experience… The
eventual outcome was that really useful
drug Aspirin.
The
garret is full of herbs you can still find in your garden, or seeds from the
store cupboard like linseed. My only criticism would be that the beautiful,
handwritten labels, totally in keeping with the atmosphere of the whole, are
not easy to decipher in a low light. Penny Royal for hysteria amongst
other cures, and oranges and limes to keep scurvy at bay; the discovery of the
beneficial side-effects of everyday foodstuffs are well documented here and you
realize how far people had come from the days when they administered snake oil
and extract of crocodile.
And all
– ‘Miseratione Non Mercede' –
for compassion
not for gain.
I think
we could have lingered longer but felt we should side-step the latest school
party and let them squirm in front of the surgical instruments while we made
our way back down and home from London Bridge.
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